The Wire

[Interior] The investigatory unit sits at an oversized card table in their basement work space. Cork boards are neatly organized along the walls, each displaying a web of yarn linking documents, photos, and index cards. 5-drawer file cabinets have replaced the towers of manila folders that had previously occupied most

The Wire

[Interior] Early morning city sounds of waste collection and passing traffic bounce in and off the walls of a darkened makeshift office space. Cork boards line the walls and obstructing the views out most of the windows. Lines of thread in various colors convey small associations between the groupings of

The Wire

[Interior - KLIFF KINGBURY'S Paradise Valley, Arizona home] A slender man sits relaxed in the middle of his couch as two visitors flank him from Roche-Bobois Spoutnik armchairs on either side of the couch. The larger visitor is rubbing his hands together and staring through the floor to ceiling windows

The Wire

[Interior - The Clarendon Hotel] A man stands across from the lobby reception desk, leaning slightly on the glass wall separating him from the early lunch rush in the restaurant on the other side. A single clerk is checking in a couple -- two men, he spies with unassuming interest

The Wire

[Interior] A darkened makeshift office space is beginning to take shape. Red yarn connects three index cards on the cork board. Tables have been moved to accommodate boxes of manila file folders containing paper sheets and receipts of various faded shades of white, pink, yellow, and green. A uniformed man

The Wire

[Interior] An office team sits about a makeshift investigatory workspace. Computers ding and static is heard in the background. A man in civilian dress tosses a manila envelope on a leaning stack and addresses the only uniformed individual in the room. A blank corkboard stands in the corner. DETECTIVE LESTER FREEMAN: