/Takes massive bong rip.
Hey dudes and dudettes. It’s time for nomonkeyfun’s Forgotten Book Club.
Don’t worry. I fly out to Colorado every time I write this article. I won’t be going to jail, at least as long as Nobama is the President.
So, anyway, this week I want to tell you about Henry Green. If you look him up on Wikipedia you find him described as an author’s author. That is an accurate description, but he is more than that.
Henry Green was a contemporary of Evelyn Waugh and Anthony Powell (another author I plan to discuss). He wrote his first novel while he was still a student at Oxford. Like Orwell, another contemporary he wrote in large part about his personal experiences. Unlike Powell, Henry Green was a convinced Tory his entire life.
Don’t let that fact dissuade you from reading his novels. He was a man who was able to write with a spectacular ear for the dialect and feelings of the workingman and woman. His second completed novel, Living, was split between a family of factory workers and the family that owned the factory.
The text of the book was designed to mimic the speech patterns of blue collar Brummies from the 1920‘s.
Brummy speech included here.
Just to let you know the first 20-30 pages are really difficult to get through, once you are used to the speech patterns, you will fly through the book.
His next novel was Party Going, this is the sort of book one would expect from a conservative, who had gone to all the right schools. The entire book is set in a train station, when London is enveloped in such a fog that no trains are leaving the station. A group of people that are heading to a county house for a weekend meets up in one manner or another at the station and its hotel. The most memorable part of the book is in the early stages, involving a dead pigeon. I won’t say anything more about the book, except that it is truly worth a read.
Finally, we get to the war and early post war novels. First is Caught, which is based on Green’s experiences in the London fire brigade during the blitz. The early part of the book is a psychological exposition on many of the blue-collar men Green served with. The second half has the harrowing action of the blitz we all know, and the effect it had on the men who fought the fires day in and day out. There are some strange personal twists and turns that are only appropriate in a novel throughout the book, but they do bring the story together.
After this we come to Back, an early post war experience novel. This tells the story of a young man who comes back from the German POW camps before the end of the war, because he has lost a leg. The real conflict comes, because the love of his life has died while he was in a German POW camp. However, he can’t properly mourn her, because she was married to another man, and had a child by him. Eventually, that woman’s Father puts our protagonist in touch with another woman who is the spitting image of his one and only.
I haven’t mentioned Henry Green’s most famous book. And I won’t describe it. It is called Loving, while he was in the London Fire Brigade, one of his confederates told him that a butler in a country house said that his favorite thing in the world was, “Lying in bed on a summer morning, with the window open, listening to the church bells, eating buttered toast with cunty fingers.”
If there was ever a sentence that was more appropriate for this website I haven’t come across it.
Good Reading.
It’s a shame Chris Henry Green’s literary career crashed so abruptly.
I’ll take before and after, things you cringe laugh at for $600, Alex.
BOOM!
http://38.media.tumblr.com/a7f8f4ecb4459d617330ae0246abfcee/tumblr_nwc5glHcfY1tg7xcdo1_500.gif
I actually can’t stand reading anything where the dialogue is written phonetically. I don’t mind a few lines to establish speech patterns, but beyond that it just becomes distracting and slows me down.
It’s actually much of the text. It isn’t so much written phonetically, but idiomatically. In Living, he didn’t use any conjunctives and very few articles. The rest of books were much more traditional in grammar.
Except of course for dialogue, because he had to work with the insane English class structure of the time. In those it isn’t so difficult to read because it was a lot of middle class and upper class people, or servants who spent time upstairs interacting with the upper class.
The bold section was just a place holder. I thought that I replaced but, whoops.
‘Tis ‘im, who was works manager, and Mr. Dupret’s son were going about this factory. They went through engineer’s shop. Sparrows flew by belts that ran from lathes on floor up to shafting above by skylights.
You are being facetious right? Please tell me you are kidding.
http://33.media.tumblr.com/6060cb820c6bce95b4481d1fe5234aa6/tumblr_nq0pdnamZg1s3fe26o4_250.gif
Not at all.
So you relax and read a good book to enjoy it but you are in such a hurry YOU CAN’T WAIT TO FIGURE DIALOGUE OUT!
Samuel Clemens, Douglas Adams, Jeffrey Eugenides, John Irving, Sinclair Lewis, John Barth, Toni Morrison, Jean Rhys, John Steinbeck, Flannery O’Connor, Thomas Berger, Joseph Conrad, Mailer, Kurt Vonnegut, Hemingway, T.C. Boyle, A.C. Doyle, etc., etc., etc. HOLY FUCK! I’M LOOSING MY SHIT OVER THAT STATEMENT. WTF? Whatever floats your boat, I’m just incredulous that someone who reads at all would say that.
Before I die, I want to write just one sentence half as good as the one quoted in this article. GodDAMN!
Seriously. That should be on the DFO Clubhouse wall.
Appreciative comment included here
Thank you, thank you. That was a placeholder, I used the wrong file.
I’m just glad it was about Birminghamians, Birminghammers… wow Brummie really is the proper demonym.
If it were about Liverpudlians, I might have used something like car-thieving Scouser scum.