Request Line: Songs of the South

INT. RECORDING STUDIO – DAY The PRODUCER is seated at the sound board, cheerfully adjusting the various knobs and sliders.  DJ 3000 remains pushed up against the wall, with an “Order Out of” sign hanging from his main console.   — [DOOR FLIES OPEN] — PRODUCER: Oh, FUCK! The PRODUCER leaps out of his chair

Request Line: The Shining

INT. RECORDING STUDIO – DAY The PRODUCER is seated at the sound board, cheerfully adjusting the various knobs and sliders.  DJ 3000 remains pushed up against the wall, with an "Out of Order" sign hanging from his main console.   --- [door flies open] --- DANIEL JONES enters the room with a rapturous expression

Request Line: Movie Theme Songs

INT. RECORDING STUDIO – DAY The PRODUCER is seated at the sound board, cheerfully adjusting the various knobs and sliders.  Inside the studio a former NFL start sits patiently waiting for the show to begin. PRODUCER: [smiles to himself] Man, it is great to be back.  [punches talkback button] Okay, we're all

Special Edition Request Line: Hope

EXT. OUTDOOR PLAZA IN RIGA, LATVIA - DAY The PRODUCER is bundled up in a heavy coat, gloves, and a faux-fur trapper's hat.  He feels his cellphone buzz, pulls it out of his coat pocket, and looks at the screen. PRODUCER: Location services...? PRODUCER: Wait, there's a DJ 3000 app? I don't remember

Special Edition Request Line: The Queen of England

INT. RECORDING STUDIO – DAY The recording studio at KDFO is completely calm.  There is no evidence of the PRODUCER’s long descent into quarantine madness - or of the PRODUCER at all, for that matter - and DJ 3000's screen is running an old-school screen saver while one of his console

Request Line: To Old Friends and New

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting...do something that at the moment isn't entirely clear.  The PRODUCER is seated at the

Request Line: Theory of the Self

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to decode the DOJ's redactions from the Mar a Lago search affidavit.  The PRODUCER

Request Line: PROXIMITY ALERT

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to help Martin Shrkeli recover the $450,000 of investor money he "lost" due to

Request Line: …and then it’s time to Kick. Some. Back.

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work tracking material threats to the FBI via various social networking sites .  The PRODUCER steps

Request Line: Self-Harm

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work as a "special master" to separate material from Alex Jones' phone into classifications of "blatantly

Request Line: Walk, then Run

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to recover texts from the January 6th insurrection that were deleted by members of