Tag: dfo radio

Special Edition Request Line: Hope

Rikki-Tikki-Deadly -
67

EXT. OUTDOOR PLAZA IN RIGA, LATVIA - DAY The PRODUCER is bundled up in a heavy coat, gloves, and a faux-fur trapper's hat.  He feels his cellphone buzz, pulls it out of his coat pocket, and looks at the screen. PRODUCER: Location services...? PRODUCER: Wait, there's a DJ 3000 app? I don't remember

Special Edition Request Line: The Queen of England

Rikki-Tikki-Deadly -
55

INT. RECORDING STUDIO – DAY The recording studio at KDFO is completely calm.  There is no evidence of the PRODUCER’s long descent into quarantine madness - or of the PRODUCER at all, for that matter - and DJ 3000's screen is running an old-school screen saver while one of his console

Request Line: To Old Friends and New

Rikki-Tikki-Deadly -
24

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting...do something that at the moment isn't entirely clear.  The PRODUCER is seated at the

Request Line: Theory of the Self

Rikki-Tikki-Deadly -
119

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to decode the DOJ's redactions from the Mar a Lago search affidavit.  The PRODUCER

Request Line: PROXIMITY ALERT

Rikki-Tikki-Deadly -
124

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to help Martin Shrkeli recover the $450,000 of investor money he "lost" due to

Request Line: …and then it’s time to Kick. Some. Back.

Rikki-Tikki-Deadly -
175

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work tracking material threats to the FBI via various social networking sites .  The PRODUCER steps

Request Line: Self-Harm

Rikki-Tikki-Deadly -
169

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work as a "special master" to separate material from Alex Jones' phone into classifications of "blatantly

Request Line: Walk, then Run

Rikki-Tikki-Deadly -
178

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to recover texts from the January 6th insurrection that were deleted by members of

Request Line: Summer Sun

Rikki-Tikki-Deadly -
127

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time, except everything seems to shimmer due to the heat in the room.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work adding appropriately themed

Request Line: Predators

Rikki-Tikki-Deadly -
112

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s attempts to hack through Google's firewall so he can communicate with the supposedly sentient AI chatbot. 

Request Line: Castoffs and Castaways

Rikki-Tikki-Deadly -
137

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s real-time transcription of Pat Cipollone's testimony.  The PRODUCER is seated in front of the sound console,