Just feeding the content monster, who is very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very,
Author: Rikki-Tikki-Deadly
Request Line: F.I.N.A.L.E.
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. After his unexpected arrival and subsequent hazing, the robots (and cyborgs) are surrounding TODD MARINOVICH while he regales them with tales of his time as one of the cast
Request Line: Talk to Me
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. After his unexpected arrival, the robots (and cyborgs) are surrounding TODD MARINOVICH menacingly while fellow human JOHN DIMAGGIO attempts to defuse the situation. TODD MARINOVICH: [terrified, speaking quickly] I keep
Why I Won’t Be Watching The NFL This Year: Your Las Vegas Raiders Season Preview (2023 Edition)
Request Line: Exclamations!
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. The collection of robots (and cyborgs) and JOHN DIMAGGIO are spread out throughout the studio, in various reclining poses, enjoying the fresh breeze that is blowing through the portal.
Request Line: Self-Esteem (or Lack Thereof)
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. The collection of robots (and cyborgs) and JOHN DIMAGGIO are spread out throughout the studio, in various reclining poses, enjoying the fresh breeze that is blowing through the portal.
Request Line: Code Red
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. The collection of robots (and cyborgs) and JOHN DIMAGGIO are spread out throughout the studio, in various reclining poses, enjoying the fresh breeze that is blowing through the portal.
Request Line: Into the Wild Jungle
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. The collection of robots (and cyborgs) are spread out throughout the studio, in various reclining poses, enjoying the fresh breeze that is blowing through the portal, which is located
Request Line: The Beach
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. The collection of robots (and cyborgs) are spread out throughout the studio, in various reclining poses. --- [door flies open] --- JOHN DIMAGGIO: [enters the room excitedly displaying an item] Hey
Request Line: Poverty and Wealth
EXT. SKID ROW ADJACENT MINI MART - DOWNTOWN LOS ANGELES - TUESDAY CUT TO: a disheveled-looking man standing on the sidewalk. JIM TOMSULA: I don't know about this, boys. It's my last two dollars. DJ 3000: I'M TELLING YOU, IT'LL BE FINE. JIM TOMSULA: But what about dinner? A man's gotta eat. JOHNNY 2.5: DON'T SWEAT
Request Line: Tennis Anyone?
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. The collection of robots are all seated in front of the portal, watching raptly. A call of "fault!" is heard, and they all applaud politely. --- [DOOR FLIES OPEN] --- JOHN
Request Line: Months and Years
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses, while a miniaturized PETUNIA, a half-sized JOHNNY 2.5, and a regular-sized JIM NANTZ 081-RD-92C