INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses, while a miniaturized PETUNIA and MAXIMILIAN and regular-sized PED-209 and JIM NANCE 081-RD-92C look on. DJ
Author: Rikki-Tikki-Deadly
Request Line: Orchestral Manoeuvres
INT. RECORDING STUDIO – DAY The PRODUCER is seated comfortably behind the soundboard, looking relaxed and content. Seated inside the booth is a familiar face... J.J. WATT: ...and then we're headed up to Los Olivos for a few nights to drink a little wine. PRODUCER: Wow, that sounds really pleasant. I have to
Request Line: The Fertile Crescent
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses, while a miniaturized PETUNIA and MAXIMILIAN and regular-sized PED-209 and JIM NANCE 081-RD-92C look
Request Line: Cities and Towns
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses, while a miniaturized PETUNIA and MAXIMILIAN and regular-sized PED-209 and JIM NANCE 081-RD-92C look
Request Line: Villains and Villainesses
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses. A miniaturized PETUNIA is seated in front of it, still ranting about the other
Request Line: It Is Known…
INT. RECORDING STUDIO – DAY The PRODUCER is seated comfortably behind the soundboard, looking somewhat reverent. Seated inside the booth is arguably the greatest athlete in human history, fiddling with the microphone height. BO JACKSON: All right, that - hic - feels like that should do it. How's it - hic -
Request Line: May Flowers
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 is fiddling with a complicated contraption of wires and lenses. The portal window into present time has been shrunk down to the size of a
Request Line: Micro Machines
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. DJ 3000 is fiddling with a complicated contraption of wires and lenses. The portal window into present time - which is normally about the size of manhole cover, or
Guest Lecture Series: We Need to Stop Disrespecting the Memory of Lieutenant Porkins
Request Line: Takin’ the Kommentariat to the Zoo
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. DJ 3000 is about to reverse the polarity on the power source to a contraption of wires and lenses as JIM NANCE 081-RD-92C looks on, but the other robots
Retreat of Darkness
Request Line: Significant Figures
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities are trapped in a time loop inside the KDFO recording studio. DJ 3000 is fiddling with a complicated contraption of wires and lenses with a puzzled expression on its main console. DJ 3000: WHY THE HELL ISN’T THIS… JIM NANCE 081-RD-92C: Can we hurry this