Request Line: Superlatives

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work arranging logistics for pregnant women who will now be forced to travel to sanctuary states in order to exercise

Request Line: A Matter of Taste

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s intense focus on performing document review for the January 6th Investigation Committee.  The PRODUCER is seated in front of the

Request Line: Johnny Fever

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current frustration at the growing stalemate of the war in Ukraine.  The PRODUCER is seated in front of the sound

Request Line: Independent Thought Alarm

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current task of pondering why humans seem so enthusiastic about killing each other in such large numbers.  The PRODUCER is

Request Line: Madres and Padres

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current job of ensuring that ASCAP royalties for Ukrainian bands are properly calculated and allocated.  The PRODUCER is seated on

Request Line: Pale Blue Dot

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current machinations in the cryptocurrency space.  The PRODUCER is seated at his desk in front of a pad of paper

Request Line: Just Asking Questions

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current work editing videos of recent Ukrainian precision-guided artillery strikes on Russian emplacements in the Donbas region.  The PRODUCER is

Request Line: Synthetics

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current work coordinating logistics for the recently approved "lend-lease" program to supply weapons to the Ukrainian armed forces.  The PRODUCER

Request Line: Songs That Bang

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current state-sponsored efforts to hack into the control systems of Russian infrastructure targets in Moscow..  The PRODUCER is seated in

Request Line: Submersion

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current mission of piloting of a Neptune anti-ship cruise missile towards the flagship of the Russian

Request Line: Here Comes the Friend-Ship!

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current engagement with a Russian botswarm.  The PRODUCER is laying on the ground, performing a series