Request Line: Self-Harm

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work as a "special master" to separate material from Alex Jones' phone into classifications of "blatantly

Request Line: Walk, then Run

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to recover texts from the January 6th insurrection that were deleted by members of

Request Line: Summer Sun

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time, except everything seems to shimmer due to the heat in the room.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work adding appropriately themed

Request Line: Predators

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s attempts to hack through Google's firewall so he can communicate with the supposedly sentient AI chatbot. 

Request Line: Castoffs and Castaways

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s real-time transcription of Pat Cipollone's testimony.  The PRODUCER is seated in front of the sound console,

Request Line: Superlatives

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work arranging logistics for pregnant women who will now be forced to travel to sanctuary states in order to exercise

Request Line: A Matter of Taste

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s intense focus on performing document review for the January 6th Investigation Committee.  The PRODUCER is seated in front of the

Request Line: Johnny Fever

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current frustration at the growing stalemate of the war in Ukraine.  The PRODUCER is seated in front of the sound

Request Line: Madres and Padres

The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current job of ensuring that ASCAP royalties for Ukrainian bands are properly calculated and allocated.  The PRODUCER is seated on