INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time. There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work as a "special master" to separate material from Alex Jones' phone into classifications of "blatantly
Author: Rikki-Tikki-Deadly
Request Line: Walk, then Run
INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time. There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to recover texts from the January 6th insurrection that were deleted by members of
Request Line: Summer Sun
Your Wednesday Night Faulty Craftsman Blames His Tools Open Thread
Request Line: Predators
INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time. There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s attempts to hack through Google's firewall so he can communicate with the supposedly sentient AI chatbot.
Request Line: Castoffs and Castaways
INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time. There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s real-time transcription of Pat Cipollone's testimony. The PRODUCER is seated in front of the sound console,
Request Line: Everybody, Anybody, Somebody, Nobody
The recording studio at KDFO looks much as we’d remember it from the before-time. There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work combing through footage of the insurrection to find alternative angles of the reported altercation in the President's SUV. The
Request Line: Superlatives
Request Line: A Matter of Taste
The recording studio at KDFO looks much as we’d remember it from the before-time. There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s intense focus on performing document review for the January 6th Investigation Committee. The PRODUCER is seated in front of the
Request Line: Johnny Fever
Request Line: Independent Thought Alarm
Request Line: Madres and Padres
The recording studio at KDFO looks much as we’d remember it from the before-time. There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s current job of ensuring that ASCAP royalties for Ukrainian bands are properly calculated and allocated. The PRODUCER is seated on