Request Line: Holding Out

INT. RECORDING STUDIO - DAY. The PRODUCER is bustling outside the studio, getting everything ready for the show.  A mountainous man sits in the broadcast booth, with a vague smirk on his face. PRODUCER: ...and so you're all set? DONALD PENN: [punches talkback button] Absolutely. PRODUCER: Fantastic.  The commercial break is wrapping up, so

[DFO] Archives: Request Line – The Long Kiss Goodnight

INT.  RECORDING STUDIO - DAY. A young woman in a smart suit and horn-rimmed glasses is bustling around a control board on the exterior of the booth, getting everything set up for the upcoming segment.  Inside the booth, a large dark-haired young man is slumped over the desk.  A PRODUCER holding

[DFO] Archives: DFO Insider – The Deadly Dozen

INT. DFO PRODUCTION OFFICE - DAY A pair of sleazy Hollywood producers are lounging in an office filled with mid-century modern furniture and painted in pastel colors.  A young man, physically imposing but conveying the impression that he's fresh out of college, sits across from them. STEPHEN KING: ...and so she arrives

DFO Radio: He Said She Said

INT.  RECORDING STUDIO - DAY A pair of radio professionals are standing outside the recording booth sipping coffee, awaiting the arrival of the week's guest host.  The [DOOR FLIES OPEN] and a young couple enters the room. PRODUCER: [moves over to greet them] Hey, what's happening, Grimey? BRENT GRIMES: [with a barely detectable measure of