The scene: Outside of the DFO clubhouse. All is quiet out front, aside from the pitiful voice of Ballsofsteelandfury. Ballsofsteelandfury: Guys...hey, is there anyone around? I need some help here... The camera pans up to reveal Ballsofsteelandfury hanging upside down from the flag pole. Ballsofsteelandfury: Aw, come on, guys... The sound of
Entertainment
Hard Ride To Nowhere (Chapter 8)
All Movie Baseball Team
Hey guys, it's time for something stupid. Inspired by an email chain from today, here's my team of fictional film baseball players. My rule was one player per film series, no real players played by actors/playing themselves. Feel free to tell me I'm an idiot in the comments, everyone did
Hard Ride To Nowhere (Chapter 7)
Thoughts On The Rams Potential Move Back To Los Angeles
Hard Ride To Nowhere (Chapter 6)
House MD DFW
[Interior- Princeton Plainsboro Teaching Hospital. Scene opens on DOCTOR HOUSE sitting in his oddly-stylish and expensively furnished office, playing with his giant tennis ball thing. Enter DOCTOR WILSON] WILSON: Good morning, House. I hope you slept well. HOUSE: [Gruff, insulting but humorous reply]. WILSON: At least one of us is. I have a
Hard Ride To Nowhere (Chapter 5)
Scene: Outside of Le Muffin de Crosse, a French bakery in the downtown area. OSZ and Marc Trestmans Windowless Van are just stepping outside, licking frosting off their fingers. Marc Trestmans Windowless Van: See? I told you this was a good idea. OSZ: I'm not arguing. It's just that it's a five-mile
The Bastard Review, Episode Three “Effigy/Ddelw”
(It's Episode Three because the two-hour pilot is listed as two episodes, "Pilot Parts 1&2"). I said last week's episode was overstuffed, and that was an understatement, even for a two-hour presentation. At the end of this one I was left wondering what, if anything, had happened; it seemed weirdly sparse,
Tony Romo Sings The Hits Of Cat Stevens
The Bastard Review
The two-hour pilot to Kurt Sutter's new FX series The Bastard Executioner is, among other things, a prime example of the difficulty inherent in making a good pilot. All pilots tempt their writers toward exposition, and the bigger the story the writer wants to tell, the greater the temptation. Few can resist,