Tag: Request Line

Request Line: Songs You Love by Artists You Hate

Rikki-Tikki-Deadly -
164

INT. RECORDING STUDIO - DAY The PRODUCER sits at the soundboard, holding his head in his hands. A muffled noise is heard and the PRODUCER pulls a device out of his pocket. CELLPHONE RINGTONE: [Andy Samberg's voice taken as a sample from the Lonely Island Song "I Threw it on the Ground"]...HOLLYWOOD

Request Line: Sports! (and March Madness open thread)

Rikki-Tikki-Deadly -
194

INT. RECORDING STUDIO – DAY The recording studio is calm and quiet.  The PRODUCER is sitting at his desk, leaning back in his chair with his feet up, watching college basketball on a computer monitor.  DJ 3000 remains pushed up against the wall.  The PRODUCER claps his hands as he reacts

Request Line: Dirt

Rikki-Tikki-Deadly -
139

INT. RECORDING STUDIO - DAY It's early morning, and the recording studio is silent.  DJ 3000 remains pushed up against the wall, still trapped inside a time loop of his own creation.  The studio door opens and the PRODUCER steps inside, whistling a cheerful tune.  He flicks on the studio lights

Request Line: Songs of the South

Rikki-Tikki-Deadly -
210

INT. RECORDING STUDIO – DAY The PRODUCER is seated at the sound board, cheerfully adjusting the various knobs and sliders.  DJ 3000 remains pushed up against the wall, with an “Order Out of” sign hanging from his main console.   — [DOOR FLIES OPEN] — PRODUCER: Oh, FUCK! The PRODUCER leaps out of his chair

Request Line: The Shining

Rikki-Tikki-Deadly -
109

INT. RECORDING STUDIO – DAY The PRODUCER is seated at the sound board, cheerfully adjusting the various knobs and sliders.  DJ 3000 remains pushed up against the wall, with an "Out of Order" sign hanging from his main console.   --- [door flies open] --- DANIEL JONES enters the room with a rapturous expression

Request Line: Movie Theme Songs

Rikki-Tikki-Deadly -
113

INT. RECORDING STUDIO – DAY The PRODUCER is seated at the sound board, cheerfully adjusting the various knobs and sliders.  Inside the studio a former NFL start sits patiently waiting for the show to begin. PRODUCER: [smiles to himself] Man, it is great to be back.  [punches talkback button] Okay, we're all

Special Edition Request Line: Hope

Rikki-Tikki-Deadly -
67

EXT. OUTDOOR PLAZA IN RIGA, LATVIA - DAY The PRODUCER is bundled up in a heavy coat, gloves, and a faux-fur trapper's hat.  He feels his cellphone buzz, pulls it out of his coat pocket, and looks at the screen. PRODUCER: Location services...? PRODUCER: Wait, there's a DJ 3000 app? I don't remember

Special Edition Request Line: The Queen of England

Rikki-Tikki-Deadly -
55

INT. RECORDING STUDIO – DAY The recording studio at KDFO is completely calm.  There is no evidence of the PRODUCER’s long descent into quarantine madness - or of the PRODUCER at all, for that matter - and DJ 3000's screen is running an old-school screen saver while one of his console

Request Line: To Old Friends and New

Rikki-Tikki-Deadly -
24

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting...do something that at the moment isn't entirely clear.  The PRODUCER is seated at the

Request Line: Theory of the Self

Rikki-Tikki-Deadly -
119

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to decode the DOJ's redactions from the Mar a Lago search affidavit.  The PRODUCER

Request Line: PROXIMITY ALERT

Rikki-Tikki-Deadly -
124

INT. RECORDING STUDIO – DAY The recording studio at KDFO looks much as we’d remember it from the before-time.  There is no evidence of the PRODUCER’s long descent into quarantine madness, or of DJ 3000’s work attempting to help Martin Shrkeli recover the $450,000 of investor money he "lost" due to