INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses, while a miniaturized PETUNIA and MAXIMILIAN and regular-sized PED-209 and JIM NANCE 081-RD-92C look
Tag: Request Line
Request Line: Cities and Towns
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses, while a miniaturized PETUNIA and MAXIMILIAN and regular-sized PED-209 and JIM NANCE 081-RD-92C look
Request Line: Villains and Villainesses
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 continues to fiddle with a complicated contraption of wires and lenses. A miniaturized PETUNIA is seated in front of it, still ranting about the other
Request Line: It Is Known…
INT. RECORDING STUDIO – DAY The PRODUCER is seated comfortably behind the soundboard, looking somewhat reverent. Seated inside the booth is arguably the greatest athlete in human history, fiddling with the microphone height. BO JACKSON: All right, that - hic - feels like that should do it. How's it - hic -
Request Line: May Flowers
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. A miniaturized DJ 3000 is fiddling with a complicated contraption of wires and lenses. The portal window into present time has been shrunk down to the size of a
Request Line: Micro Machines
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. DJ 3000 is fiddling with a complicated contraption of wires and lenses. The portal window into present time - which is normally about the size of manhole cover, or
Request Line: Takin’ the Kommentariat to the Zoo
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities remain trapped in a time loop inside the KDFO recording studio. DJ 3000 is about to reverse the polarity on the power source to a contraption of wires and lenses as JIM NANCE 081-RD-92C looks on, but the other robots
Request Line: Significant Figures
INT. RECORDING STUDIO – DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY… DJ 3000 and various other robot entities are trapped in a time loop inside the KDFO recording studio. DJ 3000 is fiddling with a complicated contraption of wires and lenses with a puzzled expression on its main console. DJ 3000: WHY THE HELL ISN’T THIS… JIM NANCE 081-RD-92C: Can we hurry this
Request Line: Honorifics
INT. RECORDING STUDIO - DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY... DJ 3000 and various other robot entities are trapped in a time loop inside the KDFO recording studio. DJ 3000 is fiddling with a complicated contraption of wires and lenses with a puzzled expression on its main console. DJ 3000: WHY THE HELL ISN'T THIS... JIM NANCE 081-RD-92C:
Request Line: Tributes
INT. RECORDING STUDIO - DAY/NIGHT/DAY/NIGHT/DAY/NIGHT/DAY... DJ 3000 and various other robot entities are trapped in a time loop inside the KDFO recording studio. DJ 3000 is fiddling with a complicated contraption of wires and lenses with a puzzled expression on its main console. DJ 3000: WHY THE HELL ISN'T THIS... JIM NANCE 081-RD-92C:
Request Line: Songs You Hate by Artists You Love
INT. RECORDING STUDIO - DAY The PRODUCER sits at his desk, staring off into space. Behind him we see the air begin to shimmer, and eventually it resolves into a two-dimensional portal through which we can see... DJ 3000: HEY! PRODUCER: [startled, turns around] What the hell? Oh! Wow! You're back! DJ 3000: I